The picture was sent to their families, and when the news broke it was widely reprinted in black and white in the local newspapers. “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. [2], After accompanying her husband who is an architect to a hardware store in the 1970s, she began her work on various pieces of store-bought furniture that would generally be found in middle-class households earlier in the century. The Latin American Women Artists Who Fought Patriarchy with Their Bodies. The Artsy Vanguard 2019: 50 Artists to Know Right Now. [6], In 1985 González's work took a dramatic stylistic shift from its vibrant colors and shapes, to more dark imagery. Beatriz GONZALEZ (1938) (Colombia) is an artist born in 1938 The oldest auction result ever registered on the website for an artwork by this artist is a furniture sold in 1989, at Sotheby's, and the most recent auction result is a painting sold in 2020. Find more prominent pieces of figurative at Wikiart.org – best visual art database. Beatriz González is a Colombian Postwar & Contemporary artist who was born in 1938. Beatriz González is a Colombian Postwar & Contemporary artist who was born in 1938. Typically she would take her images from well known Italian Renaissance and history paintings, or pictures from the present day news media, transferring these images onto cheap nightstands, chairs, coffee tables and beds painted by an amateur painter. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. This painting was based on a photo that originally appeared in the press of a couple who commissioned a professional photographer to take their portrait before jumping off the dam of the Sisga on the outskirts of Bogotá. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). Although González is well regarded in Latin America as an artist and teacher, it’s a coup that Miami is the first city to host this show in the United States. This was after the M-19 guerrilla attack on the Palace of Justice in an attempt to try to president, they left 94 dead. Notably influenced by both the colorful character of pop art and the wide spectrum of Colombian local art, the painting and sculpture of Beatriz González explores political, social, and romantic subjects with equal insight. Articles Featuring Beatriz González. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. Beatriz González was born in Bucaramanga, Colombia in 1938. Find more prominent pieces of figurative at Wikiart.org – best visual art database. [6], This work consisted of an image of a mother holding her child that was based on a picture that was widely printed and distributed by a printing company in Colombia. For me the type of art that I was doing could only circulate internationally as a curiosity. González intentionally chose this particular work by da Vinci because of its popularity in Colombian culture, this image was commonly placed above the main entrance door as a good-luck charm against thieves. Their work was featured in numerous exhibitions at key galleries and museums, including the Brooklyn Museum of Art and the Benaki Museum of Greek Culture.Beatriz González's work has been offered at auction multiple times, with realized prices ranging from $3,509 USD to $137,500 USD, depending on … She returned to Bucaramanga in 1958. Spanish Illustrator. She carefully coordinated her images with the furniture's function, such as painting the popes face on nightstands, conjuring up devotional images commonly found over beds or on nightstands in the average Colombian household. Comprised of more than 100 artworks, Beatriz González: A Retrospective is the first large-scale U.S. exhibition dedicated to González … González is often associated with the Pop Art movement. [10] In this case, she intentionally takes all of the shadows and duller colors that made this work more European, and animated it more in hopes of making it more uniquely Latin American. The full title of this work is Nací en Florencia y tenía 26 años cuando fue pintado mi retrato (esta frase pronunciada en una voz dulce y baja), translated to I was born in Florence and was 26 years old when my portrait was painted (this phrase pronounced in a low, sweet voice). Museo de Arte Moderno. Beatriz Gonzalez (Born 1936) Beatriz Gonzalez is active/lives in Columbia. After one of González's friends and mentors, Marta Traba pressed the Jury to reconsider their decision, the painting was not only accepted, but Gonzáles won a special prize for her work, that eventually helped launch her career. Exhibition organized by Tobias Ostrander and Mari Carmen Ramírez. This work – included in the Museo Reina Sofia’s retrospective of Beatriz González curated by María Inés Rodríguez, on until September 22 nd – hangs as a backdrop to a collection that, at first glance, could be a furniture store. In the late 1950s, she enrolled in architecture school, but she dropped out only a few years later. The artist co-opted these widely-circulated pictures of mothers, children, saints, and other sentimental figures as a way to question taste, both in popular culture and in her avant garde art circles. ‘Vertical Displacement’ was created in 2016 by Beatriz González in Pop Art style. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Feeling that she couldn't laugh after that event, she began to explore themes of death and the drug trade as well as exploring some of Colombia's most tragic events. [1] González is often associated with the Pop Art movement. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). Auction Records. Retrospective 1965–2017, Beatriz González's exhibition at KW Institute for Contemporary Art in Berlin (13 October 2018–6 January 2019), presents a selection of 120 works that bear witness to Colombia's political and social upheavals of the last 50 years. González claimed that she was attracted to this picture due to its "bad quality" or more so its plain quality, the simplification of the facial features that were almost deformed by the discrepancy. … «La política de Beatriz González». Based in Bogotá, González (born 1938) is not only an internationally celebrated artist but also one of the few living representatives of the “radical women” generation from Latin America. González is often associated with the Pop Art movement. González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. “Beatriz González: A Retrospective” will be on display at the Museum of Fine Arts until January 20. [5] This work along with many of the others out of her furniture works had the intention of being a "representation of representations" not only through an effort to make universal art, but also to subvert the original function of the furniture itself. She often thought that the pop movement was not present in her preferred medium of painting and that it wouldn't be an appropriate label for the work she was doing. Artprice.com's price levels for this artist … She returned to Bucaramanga in 1958. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). During this time she produced a series of ink drawings on the same theme, that were tabloid photos of crimes of passion and political murders as well as advertisements for everything from bodybuilding to headache cures.[9]. Artwork page for ‘The Last Table’, Beatriz González, 1970 González stood out from her contemporaries as one of the first artists in Colombia to draw inspiration from the mass media, creating dialogue between popular narratives and formal painting. In the early 1970s she began to incorporate mass-produced items in her work. More than 100 pieces are on display in the first large-scale exhibition dedicated to González. Digital and traditional art Colombian artist Beatriz González also graciously opens our minds in the process, exposing the world to us in ways we may not have considered. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). This work was one of González's first furniture pieces out of her series of furniture works. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. [4], Although González is often referred to as an artist of the pop art movement, she has never considered herself a pop artist. [11], Nací en Florencia (I was born in Florence). Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. Beatriz González. ‘Vertical Displacement’ was created in 2016 by Beatriz González in Pop Art style. Overview . "Meet Beatriz Gonzalez, Colombia's Queen of Pop Art | Amuse", "Artist interview: Beatriz González | Tate", "ART REVIEW; A Wry Defiance Behind Garish Colors and Tabloid Dramas", https://en.wikipedia.org/w/index.php?title=Beatriz_Gonzalez&oldid=992989157, University of Los Andes (Colombia) alumni, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, The Suicides of Sisga I, II and III, La Última Mesa, Nací en Florencia, What an Honor to Be With You at This Historic Moment, Works 1965-1997, 1998, El Museo del Barrio, documenta 14, Athens, Greece and Kassel, Germany, 2017, This page was last edited on 8 December 2020, at 05:18. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. “The idea of taking images from everyday reality runs through my whole career,” says González. Bea González (Vhea)'s Portfolio. After one of González's friends and mentors, Marta Traba pressed the Jury to reconsider their decision, the painting was not only accepted, but Gonzáles won a special prize for her work, that eventually helped launch her career. These works contain two different images taken from current events of the time, which have been printed and repeated to resemble a frieze. Beatriz González. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. Beatriz González is a Colombian painter, sculptor, critic, curator and art historian. Medellín-Colombia (2015). Beatriz González Reveals the Politics and Painting of Colombia The artist's first United States retrospective arrives at the MFAH with a pop of color. González is often associated with the Pop Art movement. The long title of the work is in an additional effort to reveal its humorous and a potentially slightly erotic intent. Beatriz Gonzalez is known for painting. When asked if she had at any point considered herself a pop artist she responded with, "I’ve always considered myself more of a painter and within this remit I painted the joy of the underdeveloped. Auction Records (3) Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. Tobias Ostrander and Mari Carmen Ramírez. [2], In 1965 González created a painting entitled The Suicides of Sisga, the painting was based on a picture of a young couple that had been published in a local newspaper after they jumped off the dam of the river Sisga in order to preserve the purity of their love. [3] González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. When her new exhibit, “Beatriz González: a Retrospective,” opens at the Peréz Art Museum Miami April 19, it will be the first large-scale U.S. retrospective of … Beatriz González: A Retrospective. The painter, art historian, and critic Beatriz González was born in Bucaramanga, Colombia, in 1938. She grew up in Colombia in the 40s and 50s, during an era of political unrest known as La Violencia (The Violence). The work of Beatriz González (Bucaramanga, 1938), widely regarded as one of the seminal artists from the Colombian art scene, occupies a unique place in the history of Latin American art — not only is she a pioneer of Pop Art, but also, almost without calculation, an incisive and coherent chronicler of recent Colombian history. She carefully coordinated her images with the furniture's function, such as painting the popes face on nightstands, conjuring up devotional images commonly found over beds or on nightstands in the average Colombian household. View Beatriz González’s artworks on artnet. These works contain two different images taken from current events of the time, which have been printed and repeated to resemble a frieze. “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. Beatriz González might not be keen on the idea, but museum visitors considering her work for the first time could see her as a Latin American Andy Warhol, Jasper Johns or … View Beatriz González’s artworks on artnet. While there, she was a student of Argentine art critic and historian Marta Traba and Spanish painter Joan Antonio Roda. cat. This work was initially refused at the 1965 Salon of Colombian Artists, disregarded and brushed off by the Jury as a "bad Botero". Beatriz González is a Colombian painter, sculptor, critic, curator and art historian. 10 Colombian Artists Who Are Shaping Contemporary Art. After accompanying her husband who is an architect to a hardware store in the 1970s, she began her work on various pieces of store-bought furniture that would generally be found in middle-class households earlier in the century. [3] In the late 1950s, she enrolled in architecture school, but she dropped out only a few years later. Colombian artist Beatriz González also graciously opens our minds in the process, exposing the world to us in ways we may not have considered. This work was initially refused at the 1965 Salon of Colombian Artists, disregarded and brushed off by the Jury as a "bad Botero". Mine was a provincial type of art without horizons, confronting the everyday: art is international. [2], Beatriz González was born in Bucaramanga, Colombia in 1938. Resources. Buy / Sell. González is often associated with the Pop Art movement. She has oftentimes been acknowledged for being a woman in a movement and country where a great deal of her peers were men, according to González, this has never been a problem for her and credits Marta Traba for encouraging the presence of woman in the Colombian art scene and states that she doesn't believe in the complex of the female artist who must be victimized. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Beatriz González is a contemporary Colombian painter known for her colorful depictions of celebrities and politicians on furniture and fabric. She grew up in Colombia in the 40s and 50s, during an era of political unrest known as La Violencia (The Violence). [5] This painting was the first of a number of paintings done by González in the 1960s in which she explored the intense violence in Colombia. The Artist. She often thought that the pop movement was not present in her preferred medium of painting and that it wouldn't be an appropriate label for the work she was doing. Pérez Art Museum Miami, April 19–September 2, 2019; Museum of Fine Arts Houston, October 27, 2019–January 20, 2020. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. The theme of mother and child was one that commonly occurred in her artwork thus turning González herself into an image of maternity. November 30, 2020 • Beatriz González on art history, bad taste, and the search for memory Beatriz González, Los “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. Beatriz González is a Colombian painter, associated with the Pop Art movement. At 81, González is not only an internationally celebrated Colombian artist but also one of the few extant representatives of the so-called “radical women” generation from Latin America. Beatriz González: A Retrospective was the first large-scale U.S. retrospective of the work of Bogotá-based artist Beatriz González (b. Although González is well regarded in Latin America as an artist and teacher, it’s a coup that Miami is the first city to host this show in the United States. "[5], She has oftentimes been acknowledged for being a woman in a movement and country where a great deal of her peers were men, according to González, this has never been a problem for her and credits Marta Traba for encouraging the presence of woman in the Colombian art scene and states that she doesn't believe in the complex of the female artist who must be victimized. González grew up in Colombia during the 1940s and 50s, while the country was plagued with violence and war due to the social and political upheaval known as La Violencia. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. She grew up in Colombia in the 40s and 50s, during an era of … She grew up in Colombia in the 40s and 50s, during an era of … 1938, Bucaramanga, Colombia). Sep 16th, 2019. While there, she was a student of Argentine art critic and historian Marta Traba and Spanish painter Joan Antonio Roda. Beatriz González: A Retrospective. She is the youngest daughter of Valentín González Rangel and Clementina Aranda Mantilla. Available for sale from Alonso Garcés Galería, Beatriz González, Ay Jerusalem, jerusalem (1969), Esmalte sobre lámina de metal, 100 × 120 cm Beatriz González Museo de Arte Miguel Urrutia After earlier presentations at the Museum of Fine Arts, Houston, and the Pérez Art Museum Miami, this retrospective—the most comprehensive showing to date of the work of Beatriz González, one of the most influential living Colombian artists— finally arrived at the Museo de Arte Miguel Urrutia in Bogotá. For me the type of art that I was doing could only circulate internationally as a curiosity. Exh. When asked if she had at any point considered herself a pop artist she responded with, "I’ve always considered myself more of a painter and within this remit I painted the joy of the underdeveloped. Beatriz González is a contemporary Colombian painter known for her colorful depictions of celebrities and politicians on furniture and fabric. [2][7], When she painted three Colombian presidents (Julio César Turbay Ayala, Carlos Lleras Restrepo, and Belisario Betancur) wearing Native Amazonian headdresses next to a Native Amazonian, many interpreted it as a portrayal of their inefficiency as presidents. Although González is often referred to as an artist of the pop art movement, she has never considered herself a pop artist. González is often associated with the Pop Art movement. Beatriz González is a Colombian painter, associated with the Pop Art movement. Mine was a provincial type of art without horizons, confronting the everyday: art is international." Typically she would take her images from well known Italian Renaissance and history paintings, or pictures from the present day news media, transferring these images onto cheap nightstands, chairs, coffee tables and beds painted by an amateur painter. [3], González grew up in Colombia during the 1940s and 50s, while the country was plagued with violence and war due to the social and political upheaval known as La Violencia. She studied fine arts at the Universidad de los Andes in Bogotá and print-making at the Rijksakademie van Beeldende Kunsten in Amsterdam. The couple were two young farmers who were deeply in love, but in an effort to preserve the purity of their love, the man (who was suspected to be mentally insane) convinced his girlfriend to commit suicide as a way to show their religious devotion in not wanting to sully the woman's purity. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. Mine was a student of Argentine art critic and historian Marta Traba and Spanish Joan...: 50 Artists to Know Right Now considered herself a Pop artist art style, beatriz was. 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